[PRESS RELEASE]American black metal outfit ABIGAIL WILLIAMS' latest tour is now currently underway. Billed as support for almighty death metal legion Deicide on the March Of Death 2012 tour, ABIGAIL WILLIAMS are performing all new material from their recently released third LP Becoming, released worldwide via Candlelight Records in January. With Jungle Rot and Lecherous Nocturne also providing support for the entire trek, this shall prove to be one of the year's heaviest tours so far as it storms across the continent through the end of the month.

March Of Death 2012
Deicide w/ Abigail Williams, Jungle Rot, Lecherous Nocturne
3/01/2012 Jaxx - Springfield, VA
3/02/2012 Reverb - Reading, PA
3/03/2012 Gramercy Theatre - New York, NY
3/04/2012 Foufoune's - Montreal, QC
3/05/2012 Imperial de Quebec - Quebec City, QC
3/06/2012 Opera House - Toronto, ON
3/07/2012 Montage Music Hall - Rochester, NY
3/08/2012 Peabody's - Cleveland, OH
3/09/2012 Blondie's - Detroit, MI
3/10/2012 Reggie's Rock Club - Chicago, IL
3/12/2012 Osbourne Village Inn - Winnipeg, MB
3/13/2012 The Exchange - Regina, SK
3/14/2012 Starlite Room - Edmonton, AB
3/15/2012 Dickens - Calgary, AB
3/16/2012 Rutland Centennial Hall - Kelowna, BC
3/17/2012 Rickshaw Theatre - Vancouver, BC
3/18/2012 El Corazon - Seattle, WA
3/19/2012 Hawthorne Theatre - Portland, OR
3/20/2012 Grand Ballroom - San Francisco, CA
3/21/2012 House of Blues - West Hollywood, CA
3/22/2012 The Clubhouse - Tempe, AZ
3/23/2012 The Complex - Salt Lake City, UT
3/24/2012 Bluebird Theatre - Denver, CO
3/25/2012 Trees - Dallas, TX
3/27/2012 Emo's East - Austin, TX
3/28/2012 The Hangar - New Orleans, LA
3/29/2012 Club at Firestone - Orlando, FL

For the past several months amazing reviews of ABIGAIL WILLIAMS' Becoming have been pouring in, the new direction the band has taken on this album obviously many longtime fans' favorite recording to date.

Clocking in at nearly an hour in length, Becoming ushers in a provocative new chapter for the ever-evolving ABIGAIL WILLIAMS. Containing six vast tracks, truly the band’s most expressive and complicated to date, Becoming was recorded in various warehouses throughout Los Angeles, with the lineup for the album including returning guitarist Ian Jekelis, studio drummer Zach Gibson (ex-The Black Dahlia Murder) and as always, vocalist/guitarist Ken Sorceron, who handled all mixing, mastering, production and engineering duties.

"...an amazingly epic, expressive and thought-provoking piece of music that sees Abigail Williams reach a new level of musicianship. 9.5/10" - Metal Assault

"...without doubt their most darkest album to date with the band taking a different direction to their previous albums; a slower, deeper album, but one that can keeps you captivated... 5/5" - Metal Rules

"Post-rock fans, post-metal fans and even some of those church burners should take Becoming for a spin. 5/5" - The New Review

"It shows how the whole BM scene has got this incredible collection of extraordinary visionaries and mind-blowing musicians that are putting out music that is simply as brilliant as it is dark and foreboding. 9.4/10" - Metal Bite

"Becoming contains a wealth of moods both grim and triumphant, creating an album filled with dramatic depth and a fantastic listen from start to finish. 9/10" - Metal Injection

"...the band has ditched the Scandinavian influence in favor of something a lot more American-sounding this time around... The band does an adequate job of capturing the trancelike ebb and flow of this style of music..." - Decibel

"The use of blast beats versus slow doomed passages provide segues and escalations throughout the record. The band has a frightening talent for crafting interesting tension and drama throughout marathon running times. 8/10" - Chronicles of Chaos

"Becoming is more than just horror-symphonic metal that will intrigue and captivate the hearts of black metal theatrical lovers everywhere. 8/10" - Hardrock Haven

"Once again, Abigail Williams are keeping their fans on their toes... 4/5" - Sea of Tranquility

http://www.facebook.com/abigailwilliamsofficial
http://www.myspace.com/abigailwilliams
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[Left: Nader Sadek, Right: Rune Eriksen]

Heavy metal and art have always found themselves at crossroads, since heavy metal tends to be very expressive, it lends a hand to a darker side of creativity.

Nader Sadek last year released his debut full length album titled "In The Flesh" that's been receiving extremely positive reviews and great reception from fans. The album's conceptual theme centers around man's obsession with oil, and how we're basically enslaving ourselves to a substance originating from dead animals and vegetation.

To help bring his vision to fruition, Nader Sadek brought in an array of musicians to help him pump this steam roller of an album into full speed. The album features Steve Tucker (EX-Morbid Angel), Flo Mounier (Cryptopsy), and Rune Eriksen (aka Blasphemer of Mayhem), as well as guest spots by notable artists such as; Attila Csihar, Travis Ryan, Tony Norman, Mike Lerner, Nick McMaster, and Destructhor.

Nader Sadek is also a highly reputed visual artist. Some of his most popular and visually striking stage settings and costumes were acquired by the likes of black metal heavy weights Mayhem and drone icons Sun O))).

Since we're a middle eastern based blog, Nader Sadek ranks up high with us for his various achievements on the international metal scene. And with that we thought it would be awesome to get his personal recommendations for his top extreme metal songs.

Make sure to visit the official Nader Sadek website at: nadersadek.com for more information on how to order a copy of "In The Flesh."

Build your own custom video playlist at embedr.com

[Ed note: There was also one more song that Nader really wanted to include on the list but unfortunately it was not available anywhere online for free streaming. The song is by Internecine and is called Hallowed Guidance. You can preview the track here.]

Genre: Death Metal

Label: Century Media Records

Release Date: February 15, 2011

Reviewer: Karim Tarek


The word Deicide has two meanings, one of them is “the act of killing a being of a divine nature; particularly, the crucifixion of Jesus Christ,” and the other is “one concerned in putting Christ to death,” and that’s basically the main point behind the band Deicide.

Deicide are one of the major, most prominent Death Metal acts of all time. They, alongside Death, Morbid Angel, Possessed, Bolt Thrower, Immolation, and a couple of other genuine Old School Death Metal gods, are considered the real vintage sound of Death Metal, the sound that heavily influenced shitloads of Death Metal musicians and bands along the years. In other words, Deicide to Death Metal are like Slayer to Thrash Metal.

Deicide have always been true to their cause, doing their best and striving to be considered as the severest pain in every devout Christian’s ass. They have been devoted to dissing every basic holy thing in Christianity, alongside Christianity itself of course. Desecrating and defiling all sanctities pertaining to Christianity. They have been spreading their brutal anthems of profanity for about twenty four years now, and guess what? It’s already 2011 now and they’re still fervent and passionate for making another “take that, Christianity” record.

When I first heard about Deicide planning on working on a follow-up to 2008’s “Till Death Do Us Part” I was pretty exhilarated, simply because I didn’t really like “Till Death Do Us Part” that much. I mean, “Till Death Do Us Part” was very good, but compared to masterpieces like “Legion,” “Serpents Of The Light,” “Once Upon The Cross” or “The Stench Of Redemption.” “Till Death Do Us Part” is the one that holds the least musical value of them, at least for me. It’s actually the album that I like the least for Deicide. So, hearing that Deicide were working on another album was quite a pleasant moment for me, expecting them to release a hell of an offset for “Till Death Do Us Part”, which was totally achieved on “To Hell With God,” which has a pretty strong and very catchy name by the way.

From the first listen, it was quite obvious that “To Hell With God” came better than “Till Death Do Us Part,” and was way too different from the rest of Deicide’s albums which actually satisfied me enough, but still when I kept on listening through it, I felt that something is strange about it. I kept on skimming through older Deicide albums trying to find out why is “To Hell With God” sounding strange to me, and I eventually found out; it was the glossy production and the lack of the usual intensive Old School sound. “To Hell With God” is so different from all other Deicide albums because of that crucial point in particular.

In spite of that, Deicide managed to craftily make this change in sound a good change; they retained their style of drumming that has always distinguished Deicide as one the most brutal sounds of the early nineties, alongside the fast and melodic solos and the famous Glen Benton vocals. In other words, they managed to do their thing in a new way and with a new sound. Yet, they still sound Deicide after all, and that’s a very good point that shows that Deicide were so much subtle this time, also smarter than a whole lot of old bands, bands that believed people were bored from their ordinary sound and decided to go through a change that actually turned out to be sheer crap and made them lose most of their fans. Deicide, on the contrary, gave all the bands out there a lesson on how changing sounds should be done.

What gave me a huge boner as an enthusiastic Death Metal fan, and was actually one of the most important factors on the album, was that the album sounds very TECHNICAL! (Refer to “Witness Of Death” and “Save Your” for elaboration). That’s not something you get on every Deicide album. So here it’s mainly about the typical outstanding Old School Deicide sound, the one that is present on all Deicide’s classics, infused with a lot of technicality, also brutality, melodiousness, excellent production quality, new musical approach and speed. Quite frankly I can’t ask for more; that’s plain perfection to me. I know some people will definitely hate this album because of the fact that it sounds noticeably different from earlier Decide work, but it just hit the notch for me.

Although “To Hell With God” is somewhat a short album (it’s only 35 minutes), it comprises a lot of astounding elements and enjoyable music.
Jack Owen manages to deliver riffs from hell; riffs on “To Hell With God” sound so thrashing and agitated, which reminds me of earlier Deicide work, and as if this was not enough for Mr. Owen to prove that he dominates most of Death Metal guitarists out there, he put a lot of the “Jack Owen trademark” awesome and eargasmic solos on the album. The solos from “Conviction,” “Witness Of Death,” and “Hang In Agony Until You’re Dead” for instance, are quite an evident proof that Jack Owen topped off more than half of all guitarists – alive and dead!

Steve Asheim and Glen Benton, who are two of the founders of the band, proved that they both are two monuments of Death Metal that get more valuable as time passes by; Asheim crushed the drum set on most of the songs with a lot of rage tinged with infernal blasphemy like in “Save Your” and “Witness of Death,” and still maintained the variability and diversity of the complete drummer, while the almighty Benton kept on eliciting the unholy psalms of profanity and chanting pure brutal blasphemy using his inhuman and unrelenting vocal cords alongside severing his bass strings with the bestiality of a thousand enraged wolves, in track with drums and guitars, and that’s how we eventually got one of those “complete” Death Metal albums. A one with all what it takes to satisfy a ravenous Death metaller.

Overall, “To Hell With God” is one of the milestones in Deicide’s history; it altogether holds a significant change in their style and introduces Deicide fans to a novel musical approach that was never before present on any Decide material, expanding the band’s horizons and widening its fan base. I really think that this is one of Deicide’s best albums, and my advice to you is to give much time to grow on you before you start comparing it to other albums or rating it because it’s not like the usual Deicide we’re used on hearing. I’m sure this album is going to be received positively in the Death Metal community.


Highlights: Save Your, Witness Of Death, How Can You Call Yourself A God.

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Click here to pre-order "To Hell With God"